|Posted on March 25, 2010 at 9:40 PM|
Roland Schiltknecht & Alan Kushan
Mensch Records, Switzerland
Swiss hackbretts and the Persian santur combine on this 1999 production and the results do equal the self-ascribed tag "imaginary folk music," but with rock-chamber jazz sonorities not yet encountered else where in the emerging idiom.
The ten 5 to 6 minute excursions all penned by Alpdenizen Schiltknecht are bound with a prolog and epilog by alphornist Roland Dahinden, whose resonant and authentic air charges the dulcimers with high mountain flavor.
Tracks with a rhythm section are carried with a single groove strategy that yields expansive travel textures when Schiltknecht & the classically trained Iranian refugee Kushan extemporize over the top. Further dimension is added with violin and cello and occasional wordless vocals.
Much of the music here has a minor key basis, importantly enriched by a large acoustic stage. Friend lier overall than comparable Nordic jazz, thanks to a few major key melodies and waltz meters, this is not quite the traditional/alternative folk of the North side label either.
Tunsch is a handsome, impressionistic album of contemporary music making, intuitively informed by myth and the purity of folk life yet it escapes typing or direct comparison with any similar developments else where in Europe. Quite a find from rural and unexpectedly urbane back country.