Alan Kushan

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Roland Schiltknecht & Alan Kushan

Posted on March 25, 2010 at 9:40 PM

Roland Schiltknecht & Alan Kushan


Tunsch

Mensch Records, Switzerland

Swiss hackbretts and the Persian santur combine on this 1999 production and the results do equal the self-ascribed tag "imaginary folk music," but with rock-chamber jazz sonorities not yet encountered else where in the emerging idiom.


The ten 5 to 6 minute excursions all penned by Alpdenizen Schiltknecht are bound with a prolog and epilog by alphornist Roland Dahinden, whose resonant and authentic air charges the dulcimers with high mountain flavor.


Electric bass and drums modernize what would otherwise be some austere and lovely acoustic playing that straddles the new folk recital/improv line.


Tracks with a rhythm section are carried with a single groove strategy that yields expansive travel textures when Schiltknecht & the classically trained Iranian refugee Kushan extemporize over the top. Further dimension is added with violin and cello and occasional wordless vocals.


Much of the music here has a minor key basis, importantly enriched by a large acoustic stage. Friend lier overall than comparable Nordic jazz, thanks to a few major key melodies and waltz meters, this is not quite the traditional/alternative folk of the North side label either.


Schiltknecht notes that "Tunsch" is an old alpine expression for ahuman-like puppet or artificial humanoid, created by shepherds.


However, according to legend, at the end of the alpseason, when the shepherds depart leaving the Tunsch alone, the lonely effigy exacts horrible revenge on them.


Which would explain the small exhibition of somewhat menacing, primitivistic charcoal drawings which accompany the attractive black & white booklet.


More lore appears in an ancient alpine (originally Sicilian) cultural utterance chanted in "Sator Formula" which purportedly wards off evil, fire, drought and other natural calamities.


Tunsch is a handsome, impressionistic album of contemporary music making, intuitively informed by myth and the purity of folk life yet it escapes typing or direct comparison with any similar developments else where in Europe. Quite a find from rural and unexpectedly urbane back country. 


Steve Taylor

 


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